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18/10/2016

Here’s the Best Street Style From Afropunk Festival in London

Rhythm, color, curiosity and rawness. Take a cursory glance over the Afropunk Festival mission statement and from those four words alone it’s easy enough to gauge a sartorial insight into those who patron the yearly event.

2016 Elegant Long Champagne Tailor Made Evening Prom Dresses (LFNDB0013)

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Since its inception back in 2005, Afropunk has mushroomed from a one-off music festival in New York into an indispensable component of contemporary African-American culture: its significance acutely amplified in 2016 thanks to the modern political and social climate.

Despite being ostensibly incompatible, fashion and music festivals have become inextricably linked in recent years, with the likes of Coachella and Glastonbury now viewed by celebrities as a window for posturing on par with any fashion week. Yet while Afropunk is not exempt from its share of paparazzo, the festival’s core values of anti-homophobia, sexism, ageism and, of course, racism, sets it apart from its peers in that such freedom for self-expression is tempered by rich values and tolerance, rather than empty vanity. Or, as organizers themselves put it: “In a world where it can feel unsafe to have black skin, the amazement from onlookers made you remember the beauty in your carefree blackness.”

With the likes of Grace Jones, Young Fathers, Goldlink and SZA all slated to perform, Afropunk London was primed to TU. And one doesn’t TU fully if one isn’t wearing one’s best garms.

Check our shots of the best street style from the weekend in the gallery above, and then let us know in the comments who you think had more steeze. London or New York?

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30/09/2016

Denim and the City

Local designer Vanessa Froehling has denim on the brain. Stonewashed, herringbone print, chambray, stretch and black denim, to be sure.

In her home studio, Froehling flips through hangers of designs, including sailor-style high-waisted women’s shorts, a men’s blazer and a women’s jumpsuit.

Vanessa Froehling, left, auditioning for FashioNXT in July. Photo courtesy Jeff Wong.

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“It’s something that’s in everyone’s closet and it will never go out of style,” says Froehling of the French-born fabric (denim’s etymology comes from “de Nîmes,” the French town where Levis Strauss first procured the tough cotton twill for your 501s). But, she adds, “people are stuck on what denim can do.”

The line is called Carpe Denim and it’s Froehling’s entry into FashioNXT (self-described as “Portland’s Official Fashion Week”) — not to be confused with Portland Fashion Week — three days and nights of runway shows in early October. She will present Carpe Denim in the UpNXT competition, the “emerging designers accelerator,” alongside four other Pacific Northwest designers the evening of Oct. 5.

The fashion week has a cozy relationship with Project Runway, the fashion-designer reality show running since 2004, and, in fact, two of the judges assessing the competition are Seth Aaron (winner of Project Runway season 7) and Michelle Lesniak (winner of season 11).

In 2015, Froehling applied to both Portland Fashion Week and FashioNXT, but was only accepted by the former that time. She says auditioning in front of the FashioNXT judges was intimidating.

“My nerves were like, ‘What do I do with my hands?’” Froehling says, shaking her hands by her sides and laughing. The judges were tough, she recalls, and they recommended that she develop the marketability and cohesion of her line.

Over the past year, she took their advice to heart and decided she would try out again, this time with a denim ready-to-wear line, a departure from the couture gowns that have distinguished her style. She took inspiration from the city — recalling watching the denizens of Portland walk by, falling in love with their street-wear style — and the layers of people, buildings and traffic.

Eight jean looks — five for women and three for men — will walk the runway, but rest assured, this will be no orgy of Canadian tuxedos. Although denim is the common thread, the designs feature smart juxtapositions against black leather and a colorful textile that looks like a cross between gas puddles and graffiti.

The self-taught designer has also developed several innovative details: a woman’s denim peplum jacket that unzips at the waist, transforming it into a more casual cropped jacket; women’s stretch leather pants that zip open at the knee, a nod to ripped jeans; and a men’s chambray shirt with the illusion of a double collar creating a fresh origami effect.

This summer, the judges welcomed Froehling on the FashioNXT train.

Froehling says one judge told her that she’s the first designer to return the following year to try out again after being rejected.

“It’s the highest fashion production in Oregon,” she says.

The winner will be announced at the after-party Oct. 5, and the prize package secures a spot for the designer in the main runway show in 2017 and includes business mentorships, feature stories inPortland Monthly and Portland Mercury, and a strategic marketing course at Portland Fashion Institute.

Look for photos of Froehling’s Carpe Denim line from the runway on the Eugene Weekly blog after Oct. 5; the designs are under quarantine until after the runway show.

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